









. SALE NUMBER 2043 
y.. EXHIBITION FROM THURSDAY, MARCH ELEVENTH 


_ JAPANESE PRINTS & 
CHINESE PAINTINGS 


REMOVED FROM 


2 EAST 5itu STREET 
NEW YORK CITY 


SOLD TO CLOSE THE ESTATE 
ALSO 


a DR RAWINGS & ETCHINGS 
ee) 6) | THE PROPERTY OF 
ie R. B. ADAM 
BUFFALO, N. Y. 


eee 


ie ae “SOLD BY HIS ORDER 


Paes if TORR SOLD BY AUCTION 
ss THURSDAY & FRIDAY EVENINGS 

- MARCH EIGHTEENTH, NINETEENTH 
AT EIGHT-FIFTEEN 


ae 





Ppa tt PVC aS PES Ae as ty US REAR NET TA 











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MISS FARREN (COUNTESS OF DERBY) 
BY FRANCESCO BARTOLOZZI 


[NUMBER 3 | 


SALE NUMBER 2043 
PUBLIC EXHIBITION FROM THURSDAY, MARCH ELEVENTH 


ENGLISH COLOR PRINTS 
ts OTHER ENGRAVINGS 
@ 


JAPANESE PRINTS & 
CHINESE PAINTINGS 


REMOVED FROM 


Peo l5 (theo LREE TE 


INE WER YORK @Uny 
SOLD TO CLOSE THE ESTATE 
ALSO 
A SMALL COLLECTION OF 


DRAWINGS & ETCHINGS 


ie hROPER TY: OF 


MR. R. B. ADAM 


DUE ALON Ys 





SOLD BY HIS ORDER 


TO BE SOLD BY AUCTION 
THURSDAY & FRIDAY EVENINGS 
MARCH EIGHTEENTH, NINETEENTH 
AT EIGHT-FIFTEEN 


Mae ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent ] 
489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
1926 


CONDITIONS OF SALE 


ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 


The highest bidder to be the buyer. In all cases of disputed bids the decision 
of the Auctioneer shall be final. 


Buyers to give their names and addresses and to make such cash payments on 
account as may be required, in default of which the lots purchased shall be 
resold immediately. 


Purchases to be removed at the buyer’s expense and risk within twenty-four 
hours from the conclusion of the sale, and the remainder of the purchase money 
to be paid on or before delivery, in default of which The Anderson Galleries, 
Incorporated, will not be responsible for any loss or damage whatever, but the 
lot or lots will be left at the sole risk of the purchaser, and subject to storage 
charges. 


All lots will be placed on public exhibition before the date of sale, for examina- 
tion by intending purchasers, and The Anderson Galleries, Incorporated, will 
not be responsible for the correctness of the description, authenticity, genuine 
ness, or for any defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. 


If accounts are not paid and purchases removed within twenty-four hours of the 
conclusion of the sale, or, in the case of absent buyers, when bills are rendered, 
any sum deposited as part payment shall be forfeited, and The Anderson Gal- 
leries, Incorporated, reserve the right to resell the lot or lots by either private 
or public sale, without further notice, and if any deficiency arises from such 
resale it shall be made good by the defaulter, together with all expenses in- 
curred. ‘This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without such 
resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible 
for any damage arising from the acts of such carriers and packers. 

The Anderson Galleries make no charge for executing orders for their cus- 


tomers and use’ all bids competitively, buying at the lowest price permitted 
by other bids. 


A Priced Copy of this Catalogue may be obtained for One Dollar 
for each Session of the Sale 


THE ANDERSON GALLERIES, INC. 
489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
TELEPHONE REGENT 0250 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. F. A. CHAPMAN, MR. A. N. BADE AND MR. E. H. L. THOMPSON 


SA LE 


THURSDAY EVENING, MARCH EIGHTEENTH, AT 8:15 








FIRST SESSION 


NUMBERS 1-182 


ENGLISH COLOR PRINTS AND OTHER ENGRAVINGS 


i} 


bo 





NUMBERS 1-106 


JOHN SAMUEL AGAR 





LATE 18TH CENTURY 
MRS. DUFF 
Stipple engraving printed in colors after the drawing by Richard 
Cosway. Original impression. Small margin, but lacking the 
dedication. (London, Pub. May, 1807 by R. Ackermann . . .) 
Gilt frame. 


THOMAS G. APPLETON 





CHILDREN NUTTING 
Mezzotint after the painting by George Morland. Signed proof 
on India paper. Guilt frame. 


FRANCESCO BARTOLOZZI 





T727-18156 


MISS FARREN (COUNTESS OF DERBY) 

Stipple printed in colors. After the painting by Sir Thomas 
Lawrence. Publish’d Jany 2, 1792 by Bull & Jeffryes Ludgate 
Hill London. Fine impression, with the inscription. Margins 
trimmed to the engraved surface at top and sides; mounted. 
The engraver’s masterpiece. 


[SEE FRONTISPIECE | 


1 


10 


ial 


FRANCESCO BAR'TOLOZZI 





VENUS ATTIRED BY THE GRACES 
Stipple printed in red. After Angelica Kauffmann. London, 
Publish’d... May 1, 1784 by S. Watts. Fine impression. With 


margin showing the plate-mark. Guilt frame. 


VENUS RECOMMENDING HYMEN TO CUPID 
Stipple engraving printed in colors after the engraver’s own 


design. London, published March 1, 1800. Gilt frame. 


JANE, COUNTESS OF HARRINGTON, LORD VISCOUNT 
PETERSHAM AND HONble. LINCOLN STANHOPE 

Stipple engraving, printed in sepia after the painting by Sir 
Joshua Reynolds. Tuer, No. 1649. Superb original impression, 


with large margin showing the plate-mark. 


LADY SMITH (AND HER CHILDREN) 
Stipple engraving, colored by hand, after the painting by Sir 


Joshua Reynolds. Tuer, No. 1708. Gilt frame. 


CUPID REFUSING LOVE TO DESIRE 
Stipple engraving, printed in colors by John Vendramini after 
Bartolozzi. London, published May 1, 1800. Gult frame. 


APOLLO AND THE MUSES ON MOUNT PARNASSUS 
Stipple engraving, printed in colors after the painting by L. 
Guttenbrunn. Tuer, No. 1404. Magnificent impression, with 
large margin showing the plate-mark. Guilt frame. 

A large and important print engraved by the brothers Facius. 
The plate was afterwards sold to Messrs. Colnaghi and some of 
the figures were altered and reéngraved by Bartolozzi. 


LADY SMITH (AND HER CHILDREN) 

Stipple engraving, printed in sepia after the painting by Sir 
Josuah Reynolds. Tuer, No. 1708. Very fine impression, with 
large margin showing the plate-mark. Gilt frame. 


MRS. ANN CARGILL AS CLARA IN THE DUENNA 
Stipple engraving, printed in red, after the painting by J. Walker. 
Superb proof before the title. With full margin. 


2 


13 


14 


15 


16 


BOILLET AFTER BARTOLOZZI 





VENUS ATTIRED BY THE GRACES 

Stipple printed in colors. “Grave par Boillet @aprés Voriginal 
de Bartolozzi.” From the painting by Angelica Kauffmann. 
With margin, but trimmed parallel to the oval engraved surface. 


BARTOLOZZI (?) 





THE GLEANERS 
Stipple engraving, printed in colors and retouched. Trimmed 
to the oval. Framed. 


SCHOOL OF BARTOLOZZI 





WOMAN RECLINING ON CLOUDS 
Original sanguine drawing. Small holes on the lower right corner. 
Gilt frame. Height, 91% inches; width, 16 inches 


F. BEAUDOIN 


MARIE ANTOINETTE, WITH THE DAUPHIN AND 
MARIE THERESE IN THE GARDEN OF VERSAILLES 
Original gouache painting, signed on the pedestal of a vase at 
the left. Very fine drawing. Gilt frame. 


J. F. BEAUVARLET 





1731-1797 


CONVERSATION ESPAGNOLE 
Line engraving after C. Vanloo. Impression with the inscription. 


Mounted. Framed. 


Wy? 


18 


iE) 


20 


WILLIAM BLAKE 





1757-1827 


MRS. Q. (WIFE OF COLONEL QUENTIN OF THE 10TH 
HUSSARS) 

Stipple, printed in colors. Drawn by Huet Villiers. London, 
Published Ist June, 1820, by L. Barrow, Weston Place, St. 
Pancras. Superb impression, with good margin, showing plate- 
mark. 

The subject, a lady of great beauty, incurred the displeasure of 
George IV for resisting his advances. 


[SEE ILLUSTRATION | 


MARIANO BOVI 





COMEDY, NATURE, FINE ARTS 
Stipple engravings, printed in red, drawn by Bartolozzi after 
drawings by J. B. Cipriani. With margin trimmed to plate-mark. 
Late impressions. Black frames. (3) 


HENRY SCOTT BRIDGWATER 





THE FRANKLAND SISTERS 
Mezzotint, after the painting by John Hoppner. Signed proof 
on India paper. Beautiful impression. Gilt frame. 


THOMAS BURKE 
1749-1815 


DIANA AND VENUS 
Stipple engraving, printed in colors after Angelica Kauffmann. 
Original impression, but trimmed to conform to the circular en- 


graved border. In gilt frame. 


4 





MRS. Q. 
(WIFE OF COLONEL QUENTIN OF THE IOTH HUSSARS) 


BY WILLIAM BLAKE 


[NUMBER 17 | 


23 


24 


JOHN CONDE 


LATE 18TH CENTURY 


MRS. FITZHERBERT 

Stipple, printed in colors. After the painting by R. Cosway. 
Magnificent impression. With good margin, but without the 
plate-mark and line of publication. 

A print of great rarity in colors. 


[SEE ILLUSTRATION | 
MRS. FITZHERBERT 
Stipple engraving, printed in black after the painting by Richard 


Cosway. Magnificent impression, with margin trimmed to the 


engraved border. Gilt frame. 


MRS. M. CORMACK 





LADY ALBINA CUMBERLAND 
Mezzotint engraving, after the painting by George Romney. 


Signed proof on India paper. Folio. Gilt frame. 


RICHARD COSWAY 





MRS. ROBINSON 
Drawn and engraved by J. Pettit from a sketch by R. Cosway, 
Esq. Nice impression, but without the plate-mark. 


SAMUEL COUSINS 





MATERNAL AFFECTION (COUNTESS GRAY AND HER 
CHILDREN) 

Mezzotint, after Sir Thomas Lawrence. Superb proof before 
letters, on India paper. Gilt frame. 


Proof No. 36. 


NATURE (THE CALMADY CHILDREN) 
Mezzotint, printed in colors, after the painting by Sir Thomas 
Lawrence. Fine open letter proof. Large margin. Gilt frame. 


6 


Poarenisaneastsnsertsanearereetatteaeencontien onesresensenreeteuteuameocroaameeeaet eee eeaeeeeetee enka teraeeeeeereeeteeneteeneeeeeeeete 





FITZHERBERT 
BY JOHN CONDE 


MRS 


[NUMBER 21 | 


27 


29 


30 


dl 


GAUTIER DAGOTY FILS 





FREDERIC II ROY DE PRUSSE 

Mezzotint, printed in colors after the painting by Mme. Ter- 
bouche. Superb impression, with large margin showing the plate- 
mark. Guilt frame. 


N. DANCE 





MISS MARTHA RAY 
Stipple engraving, printed in red by H. Sintzenich. Brilliant 


impression, with large margin showing the plate-mark. 


M. DARLY 





CORK AND FEATHERS; BUTTONS AND BUCKLES 
Original drawings colored by hand. Painted frames. (2) 

Height, 19 inches; width, 1834 inches 
From the Sir Wiliam Augustus Fraser Collection. 


GEORGE DAWE 





1781-1829 


GROUSE SHOOTERS (MR. ASHTON AND MR. HOSTE) 
IN THE FOREST OF BOWLAND 

Mezzotint, printed in colors after the painting by J. Northcote. 
Published May 15, 1801. Magnificent scratched letter proof. 
Margin. Gilt frame. 

EXTREMELY RARE. 


PAUL DE LONGPRE 





WHITE JAPANESE PEONIES 
Water color. Signed and dated Los Angeles, 1899. Gilt frame. 


8 


MARTIAL DENY 





382 MARIE ANTOINETTE 


33 


b4 


B5 


36 


Ktching finished with the graver, colored by hand after Desrais. 
Brilliant impression, with large margin showing the plate-mark. 
Gilt frame. 


GEORGE T. DOO 





NATURE—THE CALMADY CHILDREN 
Engraving after the painting by Lawrence. Scratched Ictter 
proof. Gilt frame. 


JOHN DOWNMAN 





LADY ELIZABETH FOSTER 
Stipple engraving, printed in sepia by Caroline Watson. Superb 


impression, with large margin trimmed to the plate-mark. 


SCHOOL OF JOHN DOWNMAN 





WOMAN SITTING 
Original pencil drawing, touched up with white. Study of a 
woman sitting, profile to the right. Gilt frame. 

Height, 17 inches; width, 101% imches 


WOMAN SITTING 
Original pencil drawing, touched up with white. Study of a 
woman sitting, scen backwards. Gilt frame. 

Height, 15 inches; width, 934 wmches 


MISS FARREN 
Original pencil drawing, showing the lady full length, three- 
quarters to the right. Brilliant specimen. Guilt frame. 


Height, 17 inches; width, 1014 imches 
9 


PIERRE DUFLOS 





388 MARIE ANTOINETTE 


39 


40 


4] 


42 


43 


Ktching, colored by hand after the drawing of J. Touze. Superb 
impression, with large margins showing the plate-mark. Gilt 
frame. 


S. ARLENT EDWARDS 





EMMA (LADY HAMILTON) 
Mezzotint, printed in colors after the painting by George Romney. 
Kn. No. 4. Published in 1904. Gilt frame. 


One of 175 copies signed by the artist. 


NATURE (THE CALMADY CHILDREN) 

Mezzotint, printed in black after the painting by Sir Thomas 
Lawrence. Kn. No. 14. Gilt frame. | 

One of the few trial proofs printed by A. Edwards and marked 
in pencil “In progress”. 


NATURE (THE CALMADY CHILDREN) 

Mezzotint, printed in colors after the painting by Sir Thomas 
Lawrence. Kn. No. 14. Published in 1903. Gilt frame. 
One of 175 copies signed by the artist. 


THE DUCHESS OF DEVONSHIRE AND HER DAUGHTER 
Mezzotint, printed in colors after the painting by Sir Joshua 
Reynolds. Kn. No. 20. Published in 1905. Gilt frame. 

One of 200 copies signed by the artist. 


ELIZABETH, COUNTESS OF MEX BOROUGH 

Mezzotint, printed in colors after the painting by John Hoppner. 
Kn. No. 24. Published in 1905. Gilt frame. 

This print was published as “Countess of Mexford”. 


10 


44, 


45 


46 


48 


49 


MADONNA 

Mezzotint, printed in colors after the painting of Botticelli, 
“Virgin and Child”. Kn. No. 34. Published September, 1902. 
Gilt frame. 

One of 175 copies signed by the artist. 

Characterized as the rarest and most desirable of Arlent Edwards’ 
mezzotints. 


MADONNA 

Mezzotint, printed in colors after the painting by Filippo Lippi. 
Kn. No. 36. Published in April, 1905. Gilt frame. 

One of 175 copies signed by the artist. 

One of the rarest mezzotints of Arlent Edwards. 


MONA LISA 

Mezzotint, printed in colors after the painting by Leonardo da 
Vinci. Kn. No. 87. Published April 1st, 1906. Guilt frame. 
One of 175 copies signed by the artist. 


LUDOVICA 'TORNABUONI 

Mezzotint, printed in colors after the painting by Ghirlandaio, 
“Birth of the Virgin”. Kn. No. 38. Published October 10th, 
1905. Guilt frame. 

One of 175 copies signed by the artist. 


BAPTISTA TORNABUONI 

Mezzotint, printed in colors after the painting by Ghirlandaio, 
“The Birth of the Baptist”. Kn. No. 89. Published September 
10th, 1906. Gilt frame. 

One of 225 copies signed by the artist. 


LUDOVICA TORNABUONI AND PORTRAIT OF A LADY 
Mezzotints printed in colors, the first one after the painting by 
Ghirlandaio, “Birth of the Virgin”. Kn. No. 88. Published 
10th Octobre, 1905. The second after the painting by Ambrogio 
de Pedri erroneously called “Beatrice d’Este” and attributed to 
Leonardo da Vinci. Kn. No. 41. Published 13 January, 1905. 
Brilliant impressions. Guilt frame. On the back of the frame 
two impressions of the defaced plates. 

One of 175 copies printed and signed by the artist. 


11 


50 


Or 
bo 


53 


54 


ENGRAVER UNKNOWN 





CHILDREN DANCING 

Stipple engraving printed in colors. Somewhat retouched with 
the brush. Trimmed to oval, without artist’s or engraver’s 
name. Framed with black glass mat. 


G. S. AND J. G. FACIUS 





18TH CENTURY 


ANTONY AND CLEOPATRA 
Stipple engraving, printed in colors after the painting by Henry 
Tresham. Published Dec. 1, 1795. Magnificent impression. 
With good margin. Gilt frame. 


JOHN FINLAYSON 


etl 





ELIZABETH, DUCHESS OF ARGYLL 
Mezzotint engraving after the painting by Rhead. Proof before 
all letters. Guilt frame. 


FRENCH PAINTING | 





RENAUD DANS LES JARDINS D’ARMIDE 

Painting in gouache, done on vellum for a fan leaf, representing 
Renaud under the features of the Grand Dauphin kneeling in 
front of Marie Anne Christine Victoire de Baviére as Armide. 
In old French gilt frame. Height, 8 inches; width, 1334 inches 
From the Moreau Dalmont Collection, with the seal of a sale. 


LOUISE DE LA VALLIERE A SES BAINS DE CARRIERE 
SOUS POISSY 

Painting in gouache, done on vellum for a fan leaf. In old French 
gilt frame. Height, 714 inches; width, 15 wcehes 
Irom the Moreau Dalmont Collection. 


12 


Or 
OX 


56 


oO” 


58 


59 


60 


DANIEL GARDNER 





MRS. ELIZABETH LEWIS (LADY HERBERT CROFT) 
Gouache. Three-quarter length of a young lady in décolleté 
dress, standing in a garden, three-quarters to the right, holding 
a basket in the right hand and plucking a rose with the left. 
Old carved gilt oval frame. 

Height, 2114 inches; width, 2414 inches 


HENRY GRESWOLDE LEWIS 

Gouache. Full length in a garden, sitting under a tree, his hat 

on his lap, holding a stick in his right hand; the left is resting 

on a rock. At his right a dog. Old carved gilt oval frame. 
Height, 2114, inches; width, 2444 inches 


PORTRAIT OF A LADY (GEORGIANA CHARLOTTE) 

COUNTESS OF CHOLMONDELEY ?) 

Gouache drawing done in the Reynolds manner. Old gilt frame. 
Height, 30 inches; width, 24 inches 


GEORGE GRAHAM 





FLOURISHED END OF 18TH CENTURY 


NARCISSUS 

Stipple engraving, printed in colors after the drawing by Thomas 
Rowlandson. Published Aug. 4th, 1787. Fine original im- 
pression. With margin showing plate-mark. 

ExcrsstvELy RARE. An extensive search fails to locate another 
copy in colors. 


.T. GREENHEAD 








PORTRAIT OF A LADY 
Mezzotint engraving after the painting by Gainsborough. Signed 
proof. Gilt frame. 


MRS. SHERIDAN 

Mezzotint, printed in black after the painting by Sir Joshua 
Reynolds. Brilliant proof before all letters, printed on India 
paper. Signed by the artist. Gult frame. 


18 


61 


62 


63 


64 


65 


FRANCIS SEYMOUR HADEN 





SUNSET IN IRELAND 

Original painter etching. Harrington, No. 51. Brilliant trial 
proof (f) with the stake on the right extending over the bank 
but still with Haden’s signature and the date. Printed on thin 
Japan paper and signed by the artist. Guilt frame. 

VERY RARE. 


W. HAMILTON 





LES AMUSEMENTS DE L’HIVER; LES AMUSEMENTS 
DE L’ETE 


Stipple engravings, printed in colors by Renard. ‘The first one 
with the inscription and margin trimmed to the plate mark. The 
second proof before all letters, with large margin. Gilt frames. 


(2) 


FRANCIS HAWARD 





1759-1797 


MRS. SIDDONS AS THE TRAGIC MUSE 

Stipple engraving after the painting by Sir Joshua Reynolds. 
London, published June 4th, 1787. Margin trimmed almost to 
the engraved surface. Guilt frame. 


HUBERT HERKOMER 





PORTRAIT OF A LADY 
Original etching printed in sepia on Japan paper. Proof before 
all letters, signed by the artist. Gilt frame. 


PORTRAIT OF A LADY 
Painter etching, printed in black. Proof before all letters, printed 
on vellum. Remarque proof signed by the artist. Guilt frame. 


14 


66 





THE CAMBRIDGE TELEGRAPH 
STARTING FROM THE WHITE HORSE, FETTER LANE 
BY GEORGE HUNT 


[NUMBER 66 | 


GEORGE HUNT 


FLOURISHED 1820-1845 


THE CAMBRIDGE TELEGRAPH, STARTING FROM THE 
WHITE HORSE, FETTER LANE 

Colored aquatint, after the painting by J. Pollard. London, 
Published by J. Moore, at his Glass & Picture Frame Manu- 
factory, 1 West Street, St. Martin’s Lane. Fine original im- 
pression, with fair margin but lacking plate-mark. 

A fine print in excellent condition. 


[SEE ILLUSTRATION | 


15 


68 


69 


70 


rat 


ILLUMINATED INITIAL “C” 








THE BEATITUDE 
Miniature painted on vellum in gold and colors. ‘The Virgin 
is surrounded by the symbolical Angel, the Lion, the Ox, and 
the Dove; beneath, with raised eyes, stand Christ and the eleven 
Disciples. In old carved wood gilt frame. 

Height, 10 inches; width, 71% inches 
From an Antiphonal of late XVth Century execution. 


ILLUMINATED INITIAL “C” 





CHRIST AND THE PRIESTS IN THE SYNAGOGUE 
Miniature painted on vellum in gold and colors. In old carved 
wood gilt frame. Height, 1434 inches; width, 13814 inches 
AN INTERESTING MINIATURE, With grotesque corner-piece. Above 
the principal subject is represented the Beatitude of the Virgin 
Mary. From an Antiphonal of XVth Century execution. 


ILLUMINATED INITIAL “C” 





ADORATION OF THE MAGI 

Miniature painted on vellum in gold and colors. In old carved 
wood gilt frame. Height, 10 wmches; width, 71/4, inches 
An attractive example of the medieval illuminator’s art, from 
an Antiphonal of late XVth Century execution. 


CHARLES H. JEENS 





THE SPINNER (LADY HAMILTON) 
Stipple engraving after the painting of George Romney. First 
state on India paper, signed by the artist. Guilt frame. 


CHARLES KNIGHT 


THE CHARMERS 

Stipple engraving, printed in black after the painting of the 
Rev. M. Peters. Fine original impression, slightly creased, with 
large margin. Oak frame. 


16 


~t 
bo 


74 


76 


a 


LAGIULLMIE 





PORTRAIT OF MADAME VIGEE LE BRUN 
Ktching after the artist’s self-portrait. Signed artist’s proof 
on parchment. Guilt frame. 


SIR FREDERICK (LORD) LEIGHTON 





PORTRAIT HEAD OF A WOMAN 
Mezzotint engraving by George H. Every. Proof signed by 
the painter and engraver. Gilt frame. 


PORTRAIT OF A LADY 

Mezzotint, printed in black by Samuel Cousins. Brilliant proof 
before all letters, printed on India paper. Signed by the artist. 
Gilt frame. 


JAMES McARDELL 





GEORGE DUKE OF BUCKINGHAM AND HIS BROTHER 
FRANCIS 

Mezzotint engraving after the painting by Van Dyck. Superb 
impression, proof before letters. Margin trimmed to the en- 
graved surface at top and sides. Mounted. Gilt frame. 


F. MARCO 





MINIATURE PORTRAIT OF A GENTLEMAN OF THE 
NOBILITY, ABOUT 1700 
Miniature painting on ivory. Signed to the left “IF. Marco”. 


Framed. 


HENRY MEYER 





THE PROPOSAL 

Mezzotint, printed in colors after the painting by G. H. Harlow. 
Brilliant open letter proof. Superb impression, with large margin 
showing the plate-mark. Gilt frame. 


17 


res) 


80 


SIR J. E. MILLAIS 





CHERRY RIPE 

Mezzotint, printed in black by Samuel Cousins. Proof before 
all letters, printed on India paper. Signed by the artist. Guilt 
frame. 


GEORGE MORLAND 





1763-1804 


THE SPORTSMAN’S RETURN 

Mezzotint, printed in colors and retouched with the brush as 
usual. Engraved by William Ward. Fine original impression, 
with good margin. London, Publish’d, Dec. 20, 1792. 

One of the most delightful subjects. 


[SEE ILLUSTRATION | 


SHEPHERDS REPOSING; AND, THE WEARY SPORTS- 
MAN 

Stipples printed in colors. Engraved by Wm. Bond. London, 
Published April 1st and Oct. Ist, 1803. Mogi pe 
with full margins. Gilt frames. (2) ; | 


18 





THE SPORTSMAN S RETURN 
BY GEORGE MORLAND 


[NUMBER 79 | 





A PARTY ANGLING 
ONE OF A PAIR 
BY GEORGE MORLAND 


[NUMBER 81 | 


GEORGE MORLAND 
1763-1804 


81 A PARTY ANGLING; AND, THE ANGLERS’ REPAST 
Mezzotints, printed in colors, and slightly retouched with the 
brush as usual. Engraved by G. Keating and W. Ward. Lon- 
don, Published Novr. 28, 1789 by J. R. Smith. Beautiful im- 
pressions, with margins showing the plate-marks. (2) 

VERY RARE. 


| SEE ILLUSTRATIONS | 


20 





THE ANGLERS REPAST 
ONE OF A PAIR 
BY GEORGE MORLAND 


[NUMBER 81 | 


85 


84 


85 


86 


87 


L. MONZIES 





MRS. SARAH SIDDONS 
Etched after the painting by Gainsborough. First state. Signed 
artist’s proof on parchment. Guilt frame. 


ORIGINAL DRAWINGS 





LA MARCHANDE DE VOLAILLE; LE PEINTRE 
Humoristic original wash drawings in colors. The second is 


worm-eaten and repaired. Gilt frames. (2) 


JEAN BAPTISTE PATAS 





MARIE ANTOINETTE 

Etching finished with the graver, colored by hand after a drawing 
by Leclerc. Brilliant impression, with large margin showing the 
plate-mark. Guilt frame. 


SIR JOSHUA REYNOLDS 


THE LITTLE FORTUNE TELLER 

Mezzotint, printed in black by Robert S. Claustin. Proof before 
letters, printed on India paper. Signed by the engraver. Gilt 
frame. 


A. H. RITCHIE 


WASHINGTON AND HIS GENERALS 
Drawn and engraved by A. H. Ritchie. Finely colored by hand. 
Large folio. Gilt frame. 


LADY WASHINGTON’S RECEPTION 
Engraving after the painting by Daniel Huntington. Beautifully 
colored by hand. Large folio. Guilt frame. 


22 


L. SCHIAVONETTI 





pomecayeE-ORTRAITT OF A CADDY 


89 


90 


Stipple engraving, printed in sepia after R. Cosway. Fine im- 


pression, with small margin. Gilt frame. 


(b) HER GRACE THE DUCHESS OF DEVONSHIRE 
Stipple engraving, printed in colors. Late impression. Gilt 


frame. 


(c) THE WITTY DORINDA 
Stipple engraving, printed in black. Published by Laurie and 
Whittle. Fine impression, with small margin. Gilt frame. (3) 


J. P. SIMON 





1769-? 


MISS FRANCES ISABELLA GORDON (WHEN A CHILD) 
Stipple engraving after Sir Joshua Reynolds. Impression with 
the inscription. Gilt frame. 

This print is better known as ‘‘Angels’ Heads”. 


J. B. SINGRY 


MINIATURIST, 1782-1824 


PRINCE EUGENE DE BEAUHARNAIS 

Miniature portrait on ivory. Subject shown bust length, head 
turned slightly to the right. In military costume, with the order 
of the Legion of Honor on his breast. Signed to the right. 
Framed. 


23 


Se 


SASS 


SMALL LLL LE LLL LLL DILLER LLL LE LEDLLEES 


Gi pi R pA 


ONE OF A SET OF THREE 
BY JOHN RAPHAEL SMITH 


[NUMBER 91] 


Siti 55 trie ORBEA aba 


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LB aia ie Fae 





ONE OF A SET OF THREE 
BY JOHN RAPHAEL SMITH 


[ NUMBER 91 | 


of 


93 


94 


JOHN RAPHAEL SMITH 





A MAID; A WIFE; A WIDOW 

Stipple engravings, printed in colors after the engraver’s own 
designs. Frankau, Nos. 227, 376, 3874. London, publish’d 
Jany Ist, 1791. Impressions of the highest quality. With mar- 
gins showing plate-mark on all. (3) 

A set of great rarity and especially so when printed in colors. 


[SEE ILLUSTRATIONS, PAGES 24, 25, 27] 


FLIRTILLA 

Stipple engraving, printed im colors after the engraver’s own 
design. London, published May 12, 1787. Original impression. 
Margin trimmed to the plate-mark. Gilt frame. 


NARCISSA 

Stipple engraving, printed in colors after the artist’s own draw- 
ing. Frankau, No. 256. Very fine original impression, with 
margin showing the plate-mark at the bottom. Guilt frame. 
Companion to the preceding. 


KATHERINE MARY AND THOMAS JOHN CLAVERING 
Mezzotint engraving, after the painting by George Romney. 
Frankau No. 84. Second state. Very fine and brilliant im- 
pression. With the inscription before the address was changed 
to that of Humphreys. With large margin. 

From the Halsey Collection. 


26 


4 

tyke 
g 
e 





ONE OF A SET OF THREE 
BY JOHN RAPHAEL SMITH 


[NUMBER 9I_| 


I. D. SOIRON 


95 THE LUCKY SPORTSMAN 
Stipple engraving, printed in colors after the painting by George 
Morland. Very fine impression, with large margin showing the 
plate-mark at the top and side. Trimmed to the publishing 
line at the bottom. Gilt frame. 


P. W. TOMKINS 


96 TWO WOMEN AND CHILD 


Stipple engraving, printed in sepia after F. Bartolozzi. Fine 
proof before the title. Oval gilt frame, 


28 


WILLIAM WARD 





1766-1826 


ot THE COQUETTE AT HER TOILET 
Mezzotint, printed in colors after the painting by George Mor- 
land. Frankau, No. 774. Original impression. Margin trimmed 
to the engraved surface. Guilt frame. 
EXTREMELY RARE. 


98 THE SOLILOQUY 
Stipple, printed in bistre after the engraver’s own design. Orig- 
inal impression. Margin trimmed to the engraved surface and 
mounted. Guilt frame. 


99 MORNING, OR THOUGHTS ON AMUSEMENT FOR THE 
EVENING 
Stipple engraving, printed in colors after the painting by George 
Morland. Frankau, No. 208. Brilliant impression, with large 
margin. Guilt frame. 


29 





THE BIRTH OF AN HEIR 
ONE OF A PAIR 
BY WILLIAM WARD 


[NUMBER 100 | 


WILLIAM WARD 








1766-1826 


100 THE BIRTH OF AN HEIR; CHRISTENING THE HEIR 
Mezzotints printed in colors after the paintings by W. R. Bigg. 
Published March 1st, 1799, by W. Ward, Delancey Place, Cam- 
den Town. Frankau, Nos. 29 and 62. Superb original impres- 
sions in perfect condition, and with full margin. (2) 

A MAGNIFICENT PAIR IN THE BRILLIANT ORIGINAL COLORING. 
VERY RARE. 
| SEE ILLUSTRATIONS | 


30 





CHRISTENING THE HEIR 
ONE OF A PAIR 
BY WILLIAM WARD 


[NUMBER 100 | 


WILLIAM WARD 


1766-1826 


101 DAUGHTERS OF SIR THOMAS FRANKLAND BART 

Mezzotint after the painting by John Hoppner. Frankau, No. 
125. Superb impression of the third state before the change of 
title. Published March 1, 1797. With margin showing plate- 
mark all around. 

Unquestionably one of the greatest prints executed by William 
Ward, and to-day one of the most difficult to procure. No copy 
in the Halsey Collection. 


[SEE ILLUSTRATION | 


32 





DAUGHTERS OF SIR THOMAS FRANKLAND, BART. 
BY WILLIAM WARD 


[NUMBER IOI | 


102 


103 


104 


105 


106 


JAMES WATSON 
1740-1790 
LADY STANHOPE : 
Mezzotint engraving after the painting by Sir Joshua Reynolds. 
Goodwin, No. 53. Second state. Magnificent proof before all 


letters. With wide margin. 


THOMAS WATSON 





ST. CECILIA (MRS. SHERIDAN) 

Stipple engraving, printed in colors after the painting by Sir 
Joshua Reynolds. Goodwin, No. 37. Very fine original impres- 
sion. With margin, but lacking the publication line. Gilt frame. 


JAMES A. McNEILL WHISTLER 


FANNY LEYLAND 

Original etching. Mansfield, No. 107. First state. Impression 
on thin Japan paper. Gilt frame. 

Early proof impression. 


CHARLES WILKIN 


LADY LANGHAM 

Stipple engraving, printed in black after the painting by John 
Hoppner. Very fine open letter proof, with small margin. Gilt 
frame. 


SIDNEY WILSON 


NATURE (THE CALMADY CHILDREN) 

Mezzotint, printed in colors after the painting by Sir Thomas 
Lawrence. Gilt frame. 

One of 250 copies signed by the artist. 


34 


107 


108 


109 


110 


DE 


DRAWINGS AND ETCHINGS 





SOLD FOR THE ACCOUNT OF 





MR. R. B. ADAM 





BUFFALO, NEW YORK 


NUMBERS 107-132 


GIFFORD BEAL 





CONTEMPORARY AMERICAN 


SUNSET 
Water color. Signed and dated 1923. Guilt frame. 


SIR EDWARD BURNE-JONES 





THE PRINCESS SABRA LED TO THE STAKE 
Original crayon and chalk study for one of the pictures in the 
series “St. George and the Dragon”. Framed. 

Height, 144% mches; width, 12 inches 


A. GOODWIN 


MAIDSTONE BRIDGE 


Water color drawing. Signed with initials and dated 64. 


Framed. 
WILLIAM HOLMAN HUNT 
FUNGI 
Water color drawing. Oval. Framed. Diameter, 81% inches 


Cleverly executed in the manner of miniature painting. 


DAVID LAW 


WESTMINSTER BY MOONLIGHT 
Original dry-point etching. Signed. Proof on Japan paper. 
Framed. 


35 


i Bes 


115 


114 


116 


Leh 


118 





JAMES McBEY 


DESERT OF SINAI 


Original etching. Signed and numbered. Proof. 


SAMUEL PALMER 





THE LONELY TOWER 


Original etching. Fine proof impression. Framed. 


THE MORNING OF LIFE 
Original etching. Signed proof. Framed. 


A BEAUTIFUL IMPRESSION. RARE. 


SAMUEL PROUT 





A STREET SCENE IN ANDERNACH 
Water color drawing. Framed. 
Height, 1014 inches; width, 8 inches 


JOHN RUSKIN 





CHURCH IN HANOVER 
Original water color drawing. Framed. 

Height, 18 inches; width, 121% inches 
AN ATTRACTIVE DRAWING, executed in 1859. The upper part is 
finished in some detail, the lower part lightly sketched in. 


RYE CHURCH, SUSSEX 


Original wash drawing. Signed with initials. Framed. 


BELLENZONA; VERONA AT SUNSET; VIEW OF 
BRUGES 
Three original water color drawings. Framed. (3) 

Height, 6 inches; width, 9 inches 


36 


119 THREE DRAWINGS, PROBABLY FOR “STONES OF 
VENICE” 
Original water color drawings. One represents a ruined castle, 


and two show Venetian architectural details. Framed. (3) 


120 CHRIST CHURCH; VIEW NEAR CHAMOUNIX 
Original water color drawings. Framed. (2) 
Height, 10 inches; width, 18 inches 
Height, 1381/8 inches; width, 181% inches 


121 OLD MILL; VIEW FROM ST. JOHN LATERAN, ROME 
Two original drawings. One signed. (2) 
Height, 10 inches; width, 14 inches 
Height, 1144 inches; width, 19 inches 


122 FIVE DRAWINGS 
Original drawings. Monochrome. ‘Two are signed, one with 
initials. Framed. Various sizes. (5) 
“Thatched Cottage, Severn”; “From a Window, Venice’; ‘The 
Pass of Faide” (2nd study for plate No. 4, “Modern Painters’’) ; 


and two landscape studies. 


123) FIVE DRAWINGS 
Original drawings. Monochrome. ‘Three are signed, one with 
initials. Framed. Various sizes. (5) 
*“—Emtrance to Feldkirch, Tyrol’; “Hotel de Ville’; ‘Valence 
(Librairie)” ; “St. Mark’s and the Ducal Palace”; “St. Anastasie, 


Venice”. 


124 A COLLECTION OF TWENTY-SEVEN ORIGINAL DRAW- 
INGS 
Several are in colors, and almost all are signed “J. R.” Matted. 
Various sizes. (27) 
A SPLENDID COLLECTION. Among the subjects may be mentioned 
the following: ‘‘Kidwelly Castle’; ‘“‘Kussmacht”; “Aosta” ; 
“Scene from the Montanvert”; “Lake of Geneva’; “Corfe 
Castle’ = “Aske Hall”; “Kirby Lonsdale Church Yard’; “A 
Cumberland River’; and copies of paintings by ‘Titian and 


Teniers. 


37 


125 


126 


127 


128 


JOHN RUSKIN 





A COLLECTION OF UNPUBLISHED ETCHINGS, PHOTO- 
GRAPHS, ILLUSTRATIONS OF HIS WORKS, ETC. 

A large and interesting collection, including two early unpub- 
lished etchings, proofs before letters, landscape subjects, believed 
to have been executed about 1849. There are proofs before 
letters of several of the plates from ‘‘Modern Painters”, i.e., 
“The Shores of the Wharfe’’, and two drawings of Alpine sub- 
jects. The photographs include many architectural details, to 
illustrate “Stones of Venice”, landscapes, copies of old masters, 
etc. About 110 pieces. 


SANDYS 


STUDY OF A GIRL’S HEAD 
Original pencil drawing. Framed. 

Height, 18 inches; width, 141% inches 
The subject appears to be a Neapolitan type, and is probably 
a study for a painting. 


ATTRIBUTED TO J. M. W. TURNER 





ON LAKE LUCERNE 
Original water color drawing. Framed. 

Height, 914 wmches; width, 141% imches 
In quality and technique this delightful drawing bears every 
evidence to support the attribution. 


ULYSSES DERIDING POLYPHEMUS 
Chromolithograph after the famous painting by Turner. Gilt 
frame. 


38 


129 


130 


131 


132 


JAMES A. McNEILL WHISTLER 





THE “ADAM AND EVE” TAVERN, OLD CHELSEA 
Original etching. © Mansfield, No. 172. Second state. Good 


impression, with the “Butterfly” in the plate. Framed. 


THE MUSIC ROOM 
Original etching. Mansfield, No. 31. Second state. Good im- 
pression. Framed. 


OLD WESTMINSTER BRIDGE 
Original etching. Mansfield, No. 38. Third state. Nice im- 
pression. Framed. 


ANDERS ZORN 





GULLI NO. 2 
Original etching. Asplund, No. 280. Third state. Signed 
proof. Framed. 


39 





SALE 


134 


135 


136 


137 


158 


FRIDAY EVENING, MARCH NINETEENTH, AT 8:15 








SECOND SESSION 


JAPANESE PRINTS AND CHINESE PAINTINGS 








FROM 2 EAST 57TH STREET 





NUMBERS 133-257 


PAINTING 
Picture of Goddess Ama Terasu attired in style of Kwan Yin 
and wearing various kinds of beads, painted in colors. In wood 
frame. Signed Shojio Kiosai; dated third year of Meiji. 

Size, 5 feet 414 imches x 1714 inches 


PAINTING 
Picture of a courtesan and her maid standing on a veranda 
whispering love jokes; beautifully painted in colors on silk. 
Framed. By Jioko, Kano School, about 1800. 

Size, 5 feet 114 imches x 1714 inches 


KIKUGAWA YEIZAN 





1805-1855 


TWO JAPANESE PRINTS 
Two courtesans standing in a hall, and distant view of garden 
in the background. Framed. (2) Size, 23 x 2714 wmches 


KAKEMONO PRINT 
Girl looking in a mirror. Size, 2 feet 414 inches x 91% inches 


KAKEMONO PRINT 
A girl leaning against a door reading a love letter. 
Size, 2 feet 414 wmches x 914 inches 


MUSICAL PARTY 


Girls playing a samisen. J*ramed. Size, 2314 x 17 wmches 


41 


139 


140 


141 


143 


144 


145 


146 


147 


HARUNOBU 





YOUNG BEAUTY 


Girl standing at a window, wearing a tan dress with floral design, 


artistically arranged. Framed. Size, 1914, x 1614 inches 
BEAUTY 


Picture of Oiran reading a love letter. Framed. 
Size, 2214, x 1714 inches 


JEALOUSY 
Girl at fireside burning her love letters in a fit of jealousy. 
Size, 11 x 814 inches 


HIROSHIGE 


1815-1858 


SUMIDA RIVER 
The banks of the river covered with cherry blossoms. Framed. 
Size, 17 x 2214 inches 


YEDO MEISHO SERIES 
Moonlight at Sakurada hill. Size, 814 x 61% inches 


TRIPTYCH 
Snow scene. Mountain gorge on the Kiso River. 
Size, 2 feet 534 inches x 1444 mches 


TOKAIDO SERIES 
View of Okabe hills. Size, 834 x 614 inches 


STORK AND PINE 
Mostly used as a New Year decoration. Size, 12 x 4 inches 


BIRD AND FLOWER SERIES | 
A small kingfisher perched in a maple tree, waterfalls in the 
background. Size, 1814 x 814 mches 


42 


148 


149 


151 


153 


154 


155 


156 


157 


158 


VIEW OF SUMIDA RIVER 
Brick industry by the river. Size, 12 x 784 inches 


YEDO MEISHO SERIES 


View of Yoshiwara by the river. Size, 18 x 814 inches 


YEDO MEISHO SERIES 


View of temple in the snow. Size, 1484 x 10 inches 
TRAVELLER 
View of Akasaka from the Kiso series; traveller crossing a bridge. 
Framed. Size, 17 x 2214 inches 
LANDSCAPE 


Snow scene at Temple Zojioji, Tokio. Framed. 
Size, 1634 x 22 inches 


UTAMARO 


Liat Jalota 


YOSHIWARA BEAUTY 


Picture of Oiran holding a fan. Framed. Size, 22 x 16 inches 


PILLAR PRINT 
A young man and his sweetheart. From the love story series. 
Size, 2314 x 4 imches 


INDOORS 
A girl dressed in black reading a novel. ‘Size, 1834 x 914 inches 


YOSHIWARA GIRL 
A girl walking under the cherry blossoms. 
Size, 1414 x 10 inches 


LOVE LETTERS 
A girl reading her love letters. Size, 13814 x 9 inches 


PROCESSION 
A girl on horseback attended by court ladies. 
Size, 1434 x 10 inches 


43 





160 


161 


165 


164 


166 


167 


UTAMARO 





PILLAR PRINT 


Falcon perched in snow-covered pine tree. Size, 2514 x 4 


MOTHER AND CHILD 
A mother carrying her baby on her back. Framed. 
Size, 2214 x 18 


TOYOKUNI 





1790-1820 


AN ACTOR 
Taking the part of a dancing girl. Framed. 
Size, 22 x 174, 


SURIMONO PRINT 
Picture of an actor. From the Takogi series. 
*  Sa26, 0) eee 


BEAUTY SERIES 
Girl walking, with wind blowing her dress. 


Size, 1334 x 914 


AN ACTOR 
Impersonating Madam Iwakawa. Framed. 
Size, 2214 x 18 


PILLAR PRINT 
A young lord in disguise holding fruit in his hand. 


Size, 20 x 484 


PILLAR PRINT 
Sweethearts with an umbrella. Size, 1614 x 444 


PILLAR PRINT 
A young Samurai on a fishing trip. 
Size, 2 feet 314 imches x 414 


AA, 


inches 


inches 


inches 


inches 


inches 


imches 


inches 


enches 


wmches 


168 


169 


170 


Wal 


172 


HIDEMARO 





1810-1825 


BEAUTIES 
A group of young girls and tramed cranes at the seashore. 
Framed. Size, 22 x 17 inches 


NISHIKAWA SUKENOBU 





1716-1750 
MUSICAL PARTY 


From the Genji stories. Black and white print. 
7 Size, 1414 x 10 inches 


KUNISADA 





1810-1864 


BEAUTY 
Young girl attended by her maid and attired in winter dress. 
Ease : 


Size, 1434 x 1014 iches 


GIRL BEGGING 
From the series of the hundred beauties of Yedo. 
Size, 14 x 934 inches 


TANAKA MASUNOBU 





1730-1770 


SERENADING 
A young lord standing by a gate playing a flute, while a girl 
carrying a lantern is coming out to meet him. Pillar print. 


Size, 2234 x 434 inches 


45 


174 


HOKUJI 


1804-1817 


VIEW OF ROKUGO RIVER 
Ferry boat and distant view of Mount Fuji. 
Size, 1444 x 834 inches 


TEMPLE GATE 
Entrance to temple. One of the views of old Yedo. 
Size, 734 x T14 inches 


KAKEMONO PRINT 
Girl walking in the snow carrying an umbrella. 
Size, 2 feet 514 inches x 10 inches 


[SEE ILLUSTRATION | 


KORIUSAI 


1765-1785 


176 PILLAR PRINT 


Lig 


A girl in her boudoir reading her mail. 
Size, 2 feet 214 inches x 434 inches 


POETIC INSPIRATION 
A girl dancing under a pine tree, giving an artist poetic in- 
spiration. Beautifully illustrated. 

Size, 2 feet 8 inches x 5 wches 


[SEE ILLUSTRATION | 


A6 





GIRL WALKING IN THE SNOW POETIC 
KAKEMONO PRINT INSPIRATION 
BY HOKUJI BY KORIUSAI 


[NUMBER 175] [NUMBER 177 | 


178 


rio 


180 


181 


185 


184 


185 


KIYONAGA 





Li O27 90 


PILLAR PRINT 
Girl promenading, attired in winter clothes. 
Size, 2 fect 3 inches x 4384 wmches 


PILLAR PRINT 
Girls promenading at fashion show. 
Size, 2 feet 3 inches x 434 inches 


PILLAR PRINT 
Woman dressed in black, walking in the snow and carrying an 
umbrella. Note the beautiful lines of her robe. 

Size, 2 feet 3 inches x 5 inches 


OLD SAGE 
Old man under a plum tree, playing with a child. 
Size, 2 feet 41/4, ches x 414 inches 


PILLAR PRINT 
Girl at a window talking to her sweetheart. 
Size, 2 feet x 434 imches 


PILLAR PRINT 
Girl wearing a bathrobe after her bath. 
Size, 2 feet 314 mches x 5 inches 


PILLAR PRINT 
A girl peeking out of a window. 
Size, 2 feet 214 mches x 5 mches 


TAMAGAWA RIVER 
Girls boating. Size, 814 x 6 inches 


48 


186 


187 


188 


189 


190 


191 


192 


193 


HOKUSATI 





1777-1840 


BRIDGE SERIES 
Yahashi bridge of Tokaido. Size, 13814 x 9 


BRIDGE SERIES 


View of Yatsuhashi bridge of Mikawa. Size, 14 x 9 


ONE OF THE THIRTY-SIX VIEWS OF FUJI 
Temple gate and farmers. Size, 1414 x 934 


SNOW SCENE 
On the Sumida River. From the snow, moon and flower 


Size, 1434 x 10 


SURIMONO PRINT 
A girl weighing twigs. Size, 714 x 514 


SURIMONO PRINT 
An artist making a bamboo screen. Size, 714 x 516 


DRAGON PICTURE 
Dragon painted with vigorous strokes of the brush. 


Size, 916 x 6144 


WATERFALL SERIES 
Famous Amida waterfalls on the Kiso Road. 
Size, 1444 x 984 


49 


inches 


inches 


inches 


series. 


inches 


inches 


inches 


inches 


inches 


194 


195 


196 


197 


TS 





HODOGAYA AND DISTANT VIEW OF FUJI 
BY HOKUSAI 


[NUMBER 194 | 


FUJI SERIES 
Hodogaya and distant view of Fuji from a pine grove. 
Size, 1415 x 934 inches 


[SEE ILLUSTRATION | 


POEM SERIES 
Seated figure of the poet Kuromushi. Size, 1414 x 914 inches 


VIEW OF KAMEIDO 
Temple. Plum blossoms and drum bridge. Size, 1314 x 9 inches 


HUNDRED POEM SERIES 
A man tiling a roof. Size, 138384 x 814 inches 


HUNDRED POEM SERIES 
Hunters making a log fire. Size, 14 x 814 inches 


50 





DAIMYO CROSSING A BRIDGE 
ATTENDED BY SAMURAI 
BY HOKUSAI 


[NUMBER 199 | 


199 KAKEMONO PRINT 


Daimyo crossing a bridge attended by Samurai. From the 
Chiye Kagami series. Size, 19 x 9 inches 


[SEE ILLUSTRATION | 


51 





BOY RIDING ON A BULL AND PLAYING ON A FLUTE 
FOLLOWED BY A FLOWER VENDER 
LARGE SURIMONO PRINT 
BY HOKUSAI 


[NUMBER 200 | 


200 LARGE SURIMONO PRINT 
Boy riding on a bull, playing a flute and followed by a girl 
flower vender. Size, 2144 x 714 inches 


[SEE ILLUSTRATION | 


201 KAKEMONO PRINT 


Early morning drum striking the hour. Size, 19 x 834 inches 


O2 





LADY ATTENDED BY MAIDS, LOOKING AT A DISTANT VIEW 
LARGE SURIMONO PRINT 
BY HOKUSAI 


[ NUMBER 203 | 


208. LARGE SURIMONO PRINT 
Lady attended by several maids looking at the distant view from 
a veranda. Size, 2214 x 814 mches 


[SEE ILLUSTRATION | 


204 TRIPTYCH 


Confucius in the centre examining a harp, and various other 
pictures in the panels. Size, 2 feet 414 inches x 1414 mches 


53 








A LORD WATCHING OLD FISHERMEN 
BY HOKUSAI 


[NUMBER 205] 


205 KAKEMONO PRINT 
A lord watching old fishermen. Size, 20 x 9 inches 


[SEE ILLUSTRATION | 


206 KAKEMONO PRINT 
Warrior on horseback. Size, 2014 x 9 inches 


54 


207 


209 


210 


211 


2138 


214 


215 


CHINESE PAINTINGS 





CHINESE PAINTING K’ANG HSI 


Picture of Fudo Miowo and attendants, painted in colors on silk. 


CHINESE PAINTING KANG HSI 
Emperor seated in his chariot, which is driven by a dragon; 


painted in colors on silk. 


CHINESE PAINTING K’ANG HsI 
Group of sages and children under a pine tree, painted in colors 
on silk. 

CHINESE PAINTING K’ANG HSI 


Court lady and her attendants, painted in colors on paper. 


CHINESE PAINTING K’ANG HSI 


Immortal land, where girls are awaiting new visitors. 


CHINESE PAINTING MING 


Two falcons perched in a pine tree, painted on silk. 


CHINESE PAINTING K’ANG HSI 


Picture of Kwan Yin standing, painted on paper. 


CHINESE PAINTING K’ANG HSI 
Picture of a sudden shower, illustrated by thunder Gods drum- 
ming in the sky. 


CHINESE PAINTING K’ANG HSI 
Picture of See Whn Moo and child, beautifully painted with a 
thick coat of paint on silk. 


595 


216 


218 


219 


bo 
bo 
—) 





MUSICAL PARTY 
EY HOSODA YEISHI 


[NUMBER 216 | 


HOSODA YEISHI 





1770-1800 


MUSICAL PARTY 
Set of five prints. Court ladies playing various musical instru- 
ments for the daughter of the lord. (5) 


[SEE ILLUSTRATION | 


TRIPTYCH 
Wedding ceremony, guests congratulating the bride. Framed 
in wood. Size, 2 feet 534 inches x 1444 inches 


CHINESE AND JAPANESE PAINTINGS, ETC. 





CHINESE PAINTING K°ANG HSI 


Group of Immortals, painted on silk. 


CHINESE PAINTING K°ANG HSI 


Lohan and his followers, painted in colors on silk. 


CHINESE PAINTING K’ANG HSI 
Kmperor and his subjects praying for rain, painted in colors 
on silk. 


56 


bo 
bo 
— 


222 


229 


231 


CHINESE PAINTING K’ANG HSI 
Dignitaries visiting dragons’ palaces under the sea, and bringing 


coral offerings with them. 


CHINESE PAINTING K ANG HSI 


Lohan feeding birds, painted on silk. 


CHINESE PAINTING K ANG HSI 


A lady after her bath; her maid is bringing her toilet articles. 


CHINESE PAINTING K’ANG HSI 


Yemma watching a prosecution. 


CHINESE PAINTING K’ANG-HSI 


Different subjects impersonating the stars in heaven. 


CHINESE PAINTING kK’ ANGCHSI 
Two ladies and a group of storks under a pine tree, painted on 
paper. 

CHINESE PAINTING MING 


Picture of Immortals in appliqué work on silk. 


CHINESE PAINTING K’ANG-HsI 


Group of Immortals of another world, painted in colors on silk. 


CHINESE PAINTING K’ANG-HSI 


Kwan Yin pouring sacred water. 


CHINESE PAINTING K ANG-HSI 
Lady seated on a deer, attended by a maid with flowers; painted 
on silk. 

CHINESE PAINTING | K’ANG-HSI 
Different stars impersonated by several devils, painted in colors 
on silk. 

CHINESE PAINTING kK’ ANG-HSI 


Group of ladies with flowers on a veranda. 


57 


239 


240 


241 


243 


245 


CHINESE PAINTING K ANG-HSI 


A mother nursing her baby, painted on paper. 


CHINESE PAINTING kK’ ANG-HSI 


Group of Lohans under a pine tree, painted in colors on silk. 


CHINESE PAINTING K’ANG-HSI 
Garden scene by huge green rock; a lady offering flowers to 
visitors. 

CHINESE PAINTING MING 


Picture of Jirojin and personages appliquéd on silk. 


CHINESE PAINTING K ANG-HSI 


Huge, tamed, white falcon. 


CHINESE PAINTING K’ANG-HSI 


Gods of another world, painted in colors on silk. 


CHINESE PAINTING K’ANG-HSI 


Dignitaries of another world represented by stars. 


CHINESE PAINTING MING 


Picture of spirits of frog. 


CHINESE PAINTING K’ANG-HSI 


Picture of an Empress with her attendants, painted on satin. 


CHINESE PAINTING K ANG-HSI 


Group of ladies on a veranda, admiring the view; painted on silk. 


CHINESE PAINTING K ANG-HSI 


Two ladies by a precipice, painted in colors on silk. | 


CHINESE PAINTING K’ANG-HSI 
Lady standing erect, holding a bouquet of flowers; painted on 
silk. 


JAPANESE PAINTING 


View of Yoshimo maple and waterfall. 


58 


248 


249 


250 


251 


253 


254 


255 


256 


257 


JAPANESE PAINTING 


Jirojin and stork. 


PAIR OF JAPANESE PAINTINGS 


Benkei and Yoshitsune. (2) 


JAPANESE PAINTING 
Group of children. Painted by Rosetsu. 


JAPANESE PAINTING 


Picture of a priest seated on a chair. 


TIBETAN PAINTING MING 
Buddha and followers, beautifully painted and mounted on old 
brocade. 

TIBETAN KAKEMONO MING 


Buddha embroidered on kasu. 


CHINESE SCROLL 
Painting of old picture of T’ang ladies reproduced in the Ch’ien 


Lung period. 


WATER COLOR MING 
A wild cat chasing a butterfly. 


CHINESE PAINTING MING 
Tibetan painting of Kwan Yin, beautifully painted and mounted 
on old brocade. 


CHINESE PAINTING K ANG-HSI 


First visit of Europeans to Chinese court, painted in colors. 


KAKEMONO 
Sail boats and distant view of Mount Fuji. By Seiki. 


PILLAR PRINT 
Elopers walking in the snow-covered street. By Bank. 
Size, 23 x 414 inches 


59 


LIBRARY 


J. PAUL GETTY 
CENTER 


This catalogue designed by The Anderson Galleries 
Composition and press-work by 
Publishers Printing Company, New York 


/LHVIL ~ P17 087 


